My thanks to Eunoia Review for publishing ‘Deathbook,’ flash speculative fiction on what could happen by entrusting our digital lives to Facebook.
‘Incoming message. Subject: E-bill reminder from Facebook. Message: Mr. Caputo – To renew your deceased family memorial package for calendar year 2074 at a cost of 450 bitunits, say ‘Package 1’. For a 24-month renewal at a cost of 850 bitunits, say ‘Package 2’. If you would like to terminate your deceased family memorial package and lose access to all Pics, Vids, Files, updates, comments and data posted to Facebook by your registered deceased family members, say ‘Terminate.’
‘Package 2, you heartless bloodsucking cunts.’
What choice do I have? This is what Mom and Dad said they wanted. No funeral, they said, nobody does funerals anymore. Just cremate us, spread our ashes over the lake, and tell us you love us on our Facebook Memorial Pages every once in a while. How could they have known 20 years ago that Facebook was on its last legs, that the Chinese were…
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Generally, rejection sucks. Rejection is also really (REALLY) common for writers. Combine those two facts together and two things become clear: 1) Authors have a lot more bad business days than good ones; 2) Authors have good cause for all that whisky-soaked sorrow drowning we’re famous for.
I’ve discovered there are three tiers of rejection when you’ve sent an unsolicited short story or manuscript out. First, there’s the form rejection (Something to the effect of: Thanks for letting us read your work. We would appreciate if you don’t bother wasting the electricity required to send us an email in the future. The globe is warming, you know. If you’re not foaming at the mouth from the utter rage of our impersonal response, consider subscribing to our magazine. Only $79.00 for two issues!). Second, there’s the personal rejection (Usually something the likes of: Hey, your work is really good and I enjoyed reading it, but we just couldn’t fit it in/it’s not quite right for us. Consider making changes X, Y and Z. Good luck getting it published elsewhere. I really hope you submit to us again in the future.). Those second tier rejections feel not quite soul crushing. It’s enough encouragement to believe that MAYBE you’re good enough to get something published in the next decade.
Then there’s tier three, which I didn’t know existed until I received the following email from a very kind fiction editor the other day. I would just like to offer a very public Internet thank you to this editor. Your notes of encouragement, even in rejection, count for a lot. (For the record, the racial issues mentioned live with some very awful, immoral characters and I stand by how I wrote the story, but there was an immense amount of offensive conduct and I understand why some publications would hesitate to print the story).
This is one of the hardest letters I have had to write in a long time. I thought “[REDACTED]” was brilliant, but it is going to have to be a no for us.
This piece generated so much (heated) discussion. We brought it to the table twice. People were either in love with it or completely offended by it. As fiction editor, I wanted it very much and I went to bat for it, but other editors were concerned that the racial issues, especially the Asian accent dialogue, would be too much for [REDACTED].
Please send us something else. Our next reading period opens in January, but if you like, you can attach a word doc in an email at this email address at any time and I will hold it.
I laughed out loud in several parts, as did others I read the piece to. I am sure it will find a home, and I am sorry it won’t be with us.
[REDACTED], Fiction Editor
[A UNIVERSITY-AFFILIATED LITERARY MAGAZINE]
An old Scottish sea captain’s lament reveals how a life of utter isolation on the Isle of Soay begins to change the island’s only two other residents.
“I suppose the strangest thing about them is their telephone booth. When they moved to Soay, they brought with them on their boat one of the old red telephone booths. Part and parcel as they may be to the London cityscape or even Edinburgh, it’s quite strange to see one standing alone in the middle of a field with pink puffs of blooming thistle grown half way up the sides.”
It’s often said reality is stranger than fiction. I completely agree. This very short story (only 570 words) pulls much more from a specific experience than my usual stories. I’ve done my best to appropriate the voice of a captain I met on a boat trip off the Isle of Skye. He actually was one of only three permanent residents of the Isle of Soay. The dog was a genuine wildlife spotter. The rest is my own pondering over how that level of extreme isolation would dredge up deep and personal truths about ourselves.
There are many things I love about Scotland and many things I will miss, but since this is a blog dedicated to my writing career, I wanted to take a moment to say thank you to the amazing city of Edinburgh for all it has done to inspire me as a writer.
Edinburgh is a writer’s dream. It is built around a stunning medieval castle perched high on the crags of an extinct volcano. Its narrow, windy streets full of ancient buildings and churches are at one moment gothic and brooding and the next enchanting, but they’re always stunning. There are parks and green space everywhere. There is a mountain (another extinct volcano) to climb right smack in the middle of the city where you suddenly, improbably feel like you’re in the middle of the Highlands. There is a beautiful beach along the Firth of Forth, its mouth gaping open to the North Sea on Edinburgh’s east side. .
In short, it is a city that endlessly inspires, and there are stories in every nook, cranny and crag. Stories old: Body snatchers, ghosts, witches, deeds great and terrible of Scottish kings of yore. Stories new: thousands marching for Scottish Independence, visits by the Queen and Will & Kate, celebrities roaming the streets and pubs because they don’t get harassed here the way they do in the States.
It’s a city that, unlike most, also tells a good story about its writers. It supports its writers, cherishes its writers, incubates its writers. It is, after all, the world’s first UNESCO City of Literature. It is home to a wonderful writer’s museum and one of Europe’s top creative writing programs at (my soon-to-be alma mater) the University of Edinburgh. It is the only city in the world whose largest monument memorializes a writer: the Walter Scott Monument, aka ‘The Gothic Rocket.’ There are also wonderful monuments to the great Scottish poet Robert Burns and Sherlock Homes author Arthur Conan Doyle, who was born here.
And for all that, it feels like the perfect home for a writer, which is why so many writers seem to make it home.
Edinburgh’s sort of like L.A. for fiction writers, in that way. If you bother to talk to anyone in the pubs or on the street, you’re like to meet an author every day. Maybe they’re like me — struggling to get a start, looking to get that first manuscript published. Maybe they are Ian Rankin or J.K. Rowling – both known to still prowl the streets of Edinburgh. Even my dog introduced me to an up-and-coming writer in this city. My wife and I often take Uli for romps in a nearby fenced-in park, where she has made great friends with Buster the greyhound. It just so happens that Buster’s owner is Lucy Ribchester, whose first novel, The Hourglass Factory, is being published by Simon & Schuster in January 2015 (Lucy, if you read this, I’ll be ordering a copy and everyone else should do the same if for no other reason than you are exceedingly kind and the type of person who rescues racing dogs!).
It seems like everyone is working on some sort of writing project, and I can’t adequately sum up how important it is as a writer (perhaps the loneliest occupation in the world) to feel that sense of community and others being in the fight with you. It’s a great support group.
You know what else makes for great support? Knowing that the things that have inspired much of my writing this last year also inspired some of the greatest and most successful authors around.
I can’t count the number of times I’ve had what I think is the best new story idea ever while walking through the Meadows, listening to the magpies squawk or watching the gaggles of school kids in their Houses of Hogwarts uniforms horsing around on their way to school. Then I think of how Muriel Spark must have been inspired by the very same thing when she expertly sent ‘Miss Brodie’s set’ through the Meadows near the beginning of The Prime of Miss Jean Brodie.
I developed a love for Edinburgh’s many hidden places, usually haunting in one sense of the word or another. Anyone would because Edinburgh is at its best upon closest inspection, so it’s no surprise that a deep back corner of the Greyfriars Kirkyard would overlook an old school building that became Rowling’s inspiration for Hogwarts and be curiously populated by gravestones featuring names like McGonagall, Moody and none other than Tom Riddle. Rowling wrote the first Harry Potter and plotted out the series in Edinburgh, in case you didn’t know.
I’ll miss the monuments to writers, the respect and appreciation for writers, the little hidden inspirations for writers that make Edinburgh a city of literature. Mostly, I’ll miss the writers themselves and the community. I know I’ll carry the inspiration wherever I go, and hopefully in this 21st century world of constant connectedness, I can even hold on to a bit of the community.
Editor’s note: I mentioned going to work on a novel-length zombie manuscript two months ago. So, about that … c’est finit! After laboring through my epic surrealist literary wank dissertation, writing a zombie novel felt like playing drunk kickball on a nice spring afternoon. I could do it for hours. And I did. So it’s done, and I’m sending out queries to agents. Obligatory fingers crossed, please. Below is a little mis-en-scene taster from a flashback that occurs in the course of events. If you’d like to know more about the plot, check out the synopsis of PRISON CAMP 26 here.
Sasha knew it was getting bad, real bad out there in the world. But, to be honest, she didn’t pay a lot of attention to it. She was married to her work, basically living out of a brand new researchers’ dorm at the CDC campus. The cafeteria always had food. The fact that the rest of the world was starving was irrelevant to her, not her problem. She could only focus on what she could control, and that was nasty, population-decimating viruses.
But with all that crap going on in the world, she couldn’t understand why the top dogs at DSR were so preoccupied with her research. She sure as hell couldn’t understand why they would give Carl an order to start Virus 26 trials on human test subjects.
No, she told Carl point blank. It’s not going to happen. It’s the same as killing people.
“Adam’s alive.” That’s what the idiot said to her. And then that fat, flaccid, worthless man turned red as a tomato, swelled up with a conviction she didn’t think him capable of mustering, and with all the authority of the DSR behind him told Sasha she didn’t have a fucking choice in the matter. Either do your job, start sticking the virus in people, or we’ll find someone else to do it.
Sasha thought she was clever asking Carl where he expected her to come up with human test subjects for trials. He said don’t worry, the DSR will take care of that. And that’s exactly what happened. Sasha was staring at her infected hairless monsters clawing each other apart trying to climb over each other to get at her, gnawing away at the bars, while Carl led 20 adult males into a lab that had been converted into what amounted to a jail cell by order of the DSR. Sasha didn’t want to know who they were, where they came from or how they ended up there.
She just wanted to make sure none of them were ever infected with Virus 26, and she was going to do whatever was within her power to make sure that’s exactly what happened.
“I need you to come talk to these people, Dr. Emerson. Make up something nice about the tests they’re going to be part of. We were … vague … on that matter. We just let the money do most of the talking.”
Carl had entered the cage room. He was wearing his nice suit to welcome in all the new residents, a bleak brown affair with a jacket that was too tight in the chest and too long in the arms and pants that were frayed at the bottom because he had never bothered to have the cuffs properly hemmed. He wore a necktie with all manner of muted colors exploding in sunbursts that looked eerily like Virus 26 under the high-power microscope.
“I thought I told you never to come in here without your biohazard suit on, Carl.” Sasha’s visor was slightly fogged, but she could still see the guilt on his pathetic, jowly face as he meekly absorbed the weight of her rebuke.
“Sorry, Sasha. We just need to tell them something soon. Now that they’re in and see all the crap around here, they’re nervous. And you need to start tests soon. Like ASAP. Washington is breathing fire down my neck. They want results. They have plans for this thing.”
It was the first time Carl had ever come right out and said it, like presenting her with a peace offering of knowledge for violating the cage room rules. Sasha suspected as much, but it was different hearing it put so bluntly. Straight from the horse’s mouth. If the government had plans for a virus that created zombies – and that is what Sasha had come to accept them as now – it could only be for a few things, and none of them good. They’d see it as a weapon, most likely. She didn’t really care. They weren’t going to get their hands on it. She had every known sample of Virus 26 with her right there in that room. Except for Adam, and she knew what to do with Adam. She was sorry, so very sorry, but Adam didn’t exist anymore. When she punched in the code to sterilize the room, the isolation chamber’s decontamination system would incinerate everything, Adam included, and Virus 26 would be gone. Unless whoever sent it had more.
“Come here, Carl. I want you to see what you want me to do to these people up close.” She moved to a cage full of docile rnu rats, their wrinkly hairless bodies wriggling and writhing like normal, having grown used to the stink of the infected rats in the cages around them.
“I’ve already seen it. I’ve seen it a hundred times. You’re not going to guilt me into compassion. This needs to be done. Besides, you don’t know what’s going to happen. Adam doesn’t seem that bad off.” Carl’s eyes instinctively sank to the ground, averting Sasha’s piercing glare. “I mean, he’s not dead. And you could find a treatment. Or they could end up like those rats that don’t show symptoms. Think positive, doctor.”
“The rats that don’t show symptoms. That’s exactly what I want to show you, Carl. That’s what these are, right here.” Carl edged further into the room as Sasha spoke. “You’ve seen it yourself; one out of every 10 shows no evidence of symptoms. The virus lives in them. They’re still carriers. As dangerous to others as any of the zombie rats.”
“Don’t use that term, doctor.” Carl was close to her now, also in front of the cage of shriveled, pink-skinned rats.
“Carl, what are we going to do when two of the men in that room don’t turn? When they’re completely human, asking us questions. When do we get to leave? When do we get to see our families? We won’t be able to send them back out into the world. They’ll be too dangerous.” She reached into the cage and plucked out a mouse. It wriggled in her gloved hand, but put up no real resistance. They were used to being handled.
“Keep that thing away from me,” Carl said.
“Look at it, Carl. Its eyes are normal. Its behavior is normal. It is a docile creature. Are you going to be able to look the two men in that room who come out OK in the eyes and kill them? Because I’m not going to do it. It’s on you, Carl. You’re going to be the one.” She held the hairless rodent up to Carl. He grimaced, but didn’t move away.
“You say these ones – the immune ones – are completely normal? Nonviolent?”
“But if they bite you or inseminate you or, possibly, bleed or spit on you.” Sasha left the rest unsaid. Carl was reaching toward the rat, as if he wanted to pet it, to comfort it, let it know everything was going to be ok. Sasha saw her opportunity. She pinched the rat’s hindquarters, pinched it hard, and it instinctively lunged at Carl’s hand, biting down hard on his index finger.
“You bitch,” he shouted. Blood dripped on the floor as Carl pressed down on the bite with his other hand. Sasha threw the struggling rat into the open-lidded glass tank with Eve, who had been watching the whole scene unfold in a lethargic stupor. Carl made like he was going to hit Sasha, or worse.
“Your time’s already short, Carl. You better get to the med unit now. If you’re quick, they might be able to amputate your arm to stop the virus from spreading. If not, you’ve got two hours before it takes over your central nervous system.”
He hesitated. Looked at her, then at the door.
“Tick-tock,” Sasha said. He bolted out the exit, screaming for help as he went. Thank God he didn’t look at the glass tank, Sasha thought. Eve was tearing what remained of the uninfected rat to shreds. Adam would be the last strain of the virus to eliminate, no loose ends. Just like in West Africa.
By the time she had dumped all the rat cages down the incinerator chute in the cage room, the alarm was sounding. She was surprised it took that long, but everyone at CDC resented the DSR’s presence and thought Carl was an idiot. He had zero presence of authority and in his panicked, blathering state, it must have taken him some time to get anyone to take him seriously. To convince anyone that Dr. Sasha Emerson, rising star of the virology division, had gone off the deep end and attacked him with an infected rat. Sasha almost broke a smile at the thought of it, or maybe it was the act of plucking Eve out of her tank with a pair of forceps and chucking her down the incinerator chute.
Fueled with a bulging stomach full of rat, Eve had her fight back. She scrabbled so ferociously against the forceps that she nearly pulled her torso in half stretching toward Sasha’s fingers before Sasha tossed her and the forceps down the incinerator.
“That’s for you, Adam. It’s the least I could do.”
That wasn’t true, though. What she had to do next was what she truly owed him, the Adam who solved crossword puzzles and Sudokus and cryptograms like they were child’s play. That Adam would thank her for what came next.
Sasha moved quickly down the hall to the elevator. Adam was two floors up, still underground, but on the same level as the medical unit where Carl was hopefully now sedated. The doctor’s never would have amputated his arm. First of all, they never would have just started hacking at the word of some crazed lunatic. They would have tested his blood first to confirm the presence of the virus. Second, they never would have risked everyone else’s lives by exposing the operating room to Carl’s blood. If he was infected, his blood would be everywhere after an emergency amputation, and they’d be at risk of a major outbreak. Sasha had personally briefed every doctor at CDC headquarters that they were never to take that risk.
She burst out of the stairwell and took a left. She felt so slow, but kicked against the restrictive biohazard suit and started to run, feeling her window closing, her chance to end this before it ever started. She punched in a code to get access to the wing. She entered a hallway with a long row of isolation units lined up one after another like jail cells, only with bullet-proof Plexiglas sealing the rooms off from the outside. The lights in the hall were all off, operating on motion detectors as people passed by. All of the isolation units were dark, too, except for the one at the very end. Adam’s unit.
Sasha moved toward it, walking now. Something felt wrong that kept her from running. As she moved down the hall, a new bank of lights came on with every few steps as the ones behind her cut back off. She felt like she was suspended in a cube of light, like she was a hamster in a plastic ball, walking against it to propel herself down the hall.
Then she realized what was bothering her. She could hear Adam. The sound was muffled, barely noticeable behind the thick glass seal, but it was there. The sound of it scratching and biting and clawing against the other side. That was wrong. It should have been in a state of almost suspended animation, unless something had provoked it. That was her final thought before the last bank of lights in front of Adam’s unit flicked on.
No more than 10 feet in front of her, Carl stood completely still, blood staining his bandaged hand and a gun held in the uninjured one.
“Row 3, column 14. That’s the cage you took that rat from.” He raised the gun and pointed it at her chest. “Isn’t it, Dr. Emerson? You think I’m such an idiot, but you don’t know me. You know nothing about me. You never gave me any credit for how closely I paid attention to your work. I really admired how … meticulously … you work, doctor.”
Sasha was about to tell Carl he wasn’t a killer when he squeezed the trigger and shot her in the chest. As she looked down and saw the blood start to trickle down her suit, she thought, “He’s right. I don’t know anything about him.”
Back in early May, I posted the first chapter of a then-just completed 120,000 manuscript called The Dream Trip. In that post, I said I had a lot of revising to do. I wasn’t kidding. I think this story about two married people going rogue to get their marriage off the rocks (as opposed to the usual marriage narrative in fiction — hate, sadness, inevitable destruction) has so much potential, but I’m trying to do more with it than anything I’ve ever written before. You know, fancy stuff like theme, metaphorical imagery, dalliances with metafiction.
At times, I felt like I had gone too far. Let’s be honest: at times, I was asking myself, “What the f*ck are you doing, homes?” while running to the kitchen for the nearest bottle of whisky. So I decided to condense down the heart of the story to about 30,000 words and submit it as my master’s dissertation at the University of Edinburgh’s Creative Writing program. This allowed me to put it in front of my wonderful dissertation adviser Jane McKie several times before submitting. Jane was incredibly supportive and enthusiastic about the work, which makes me think maybe having a little faith in myself to stretch into the rarefied realm of “literary fiction” paid off. Or maybe Jane just suffers from the same strain of crazy I have.
I’ll find out in November when I receive my dissertation grade. Until then, I’ve made the novella available on the front page of the site or you can just click here. It’s only 30,000 words. What better way to procrastinate before finishing your own dissertation or [insert important project here].
Art and Amelia cruised the Strip to burn off the weight of dinner. They stopped at the Bellagio to watch the fountain show and see its Chihuly glass and flower displays, walked through Caesar’s under the cloud-and-sky ceiling of its shopping center, and made it as far north as the gondola-filled canals of Venice. Every inch of the Strip was put on, spun sugar, like the perfect gingerbread house with a witch lurking within ready to eat you. But there’s a divine comfort going along with the show, accepting Vegas’s whole ludicrous act, that gets you out of your own skin.
They settled on Bally’s as their casino du nuit on their way back south. The tables were less expensive than the Bellagio or Caesar’s, but it was less grimy and run down than O’Shea’s and not as depressingly empty as the Trop. They circled the floor like sharks, waiting for the right moment to strike. They dropped small bills in slot machines at random, winning a few dollars here, losing a few dollars there before cashing out.
Then their wanderings and a touch of fate brought them before a $5 blackjack table. It was removed from the long bank of table games in the main pit, off to the side and alone next to a craps table and a roulette table. Unlike every other blackjack table, the dealer wasn’t an aging attractive woman or slick-haired wannabe Mafioso type. He was an old, clean shaven black man with a name tag that said Ivory. Remarkably, there were three open seats. Anyone who has ever been to the Strip knows exactly how remarkable it is to stumble upon even one open seat at a $5 blackjack table at any hour, much less as the peak shift was coming on.
Recognizing Lady Luck when she stared them in the face, Art and Amelia sat down quickly.
“I was hoping y’all would sit down and play,” Ivory said. “We’ve got a nice little game here. Where you folks from?”
“Well, sort of nowhere and everywhere right now,” Art said.
“Oh, we got a lot of folks from there in this town,” Ivory said. He was everything a Strip blackjack dealer was not supposed to be. He wore a big smile full of pearly teeth, he chatted, he invited you to be his friend. He was slower than sin, feeling the edge of each card on his fingertips before drawing it from the automatic card shuffler. He’d slide a card out, give it a little shake up and down as if he was testing the weight – or the luck – of each one, then drop it with a dramatic flourish in front of the next player. He’d examine each turned card with a little “hmm” or “ooh” before moving on to the next.
Art and Amelia adored him immediately. “How long you been dealing, Ivory?” Art said. Amelia smirked and nudged him under the table.
Ivory didn’t know or just didn’t care Art was having a little fun with him. “Oh, I been here at Bally’s about 15 years now. I used to be across the street at the Flamingo. I reckon I was there for about 20 years.”
“Don’t listen to him. I play at this table every week for 20 year and I never see him until 10 year ago.” It was the Asian lady playing to Art’s left, holding down third base. She had broader features that looked Chinese, but her face was painted like a geisha – a thick coating of white face powder caking up in the deep cracks in her face, cherry red lipstick, thick eye liner. Her black hair was molded into the shape of a Connie Chung circa 1980 do. The long painted fingernails on her right hand clicked and clacked on her mountain of chips With her left, she managed to smoke a Virginia Slim despite the curling claws. She smelled like a dead pepper plant.
“Oh, I wouldn’t argue with you, Madame Chang. You remember everything. I’d bet you remember every hand I ever dealt you. But I didn’t always deal blackjack here. You must have missed me on the three card poker tables when I first come to Bally’s.”
Madame Chang appraised Ivory. Her eyes narrowed and her heavily lipsticked mouth pursed into a little frown. She tapped the table with the long fingernail of her right index finger. “Hit me, Ivory. Make it good.”
He threw her an eight. “Twenty-one,” Ivory exclaimed.
Ivory flipped over his hole card and showed 15. He threw himself a six. “And that’s twenty-one.”
“Ah, you motha fucka sometimes Ivory. You lucky Madame Chang like you so much.”
“Plucky little peacock,” Amelia whispered in Art’s ear.
Art traded in five $100 bills for $5 and $1 chips and placed his customary first bet of $10 with $1 pushed forward to tip the dealer $2 on a winning hand. Then he did the same thing in front of Amelia. No matter how much Art encouraged her, she never had the confidence to play at a live table. She knew most of the right decisions to make, but she clung to the irrational fear that she’d accidentally hit and throw off the whole table, then become the hated villain. Or even more embarrassing, watch everyone walk away to escape the novice. But she did very much like sitting at the table where she could route for Art and get a steady supply of free booze since it looked like she was playing.
Ivory dealt the first hand like an artist reading poetry. Art had to stay on 16 and 15, but Ivory busted with the slowly unpacked tension of a Cormac McCarthy novel. Art exhaled when the final card fell and the group at the table let out a cheer.
“It about goddamn time, Ivory.” Madame Chang looked at Art. “You come to straighten Ivory out, huh? You good luck for table. Very handsome, too. Don’t worry, honey. Madame Chang see you married.”
The cheer caught the attention of a passerby. A particularly haggard passerby. The man limped up to the table and asked if the table was hot. The deep canyons running up and down his ragged face made Madame Chang’s wrinkles look like ant trails in the dust. His face was a lattice work of leathery grooves. His eyes were a dull grey. Hair grew out of his nose and he had the longest, floppiest earlobes Art had ever seen.
“It not so good Henry. Ivory take all our money.”
“Oh, I know all your tells, Madame Chang.” Henry sat down quickly in the last open spot, just to Amelia’s right. “If you say go away, it means you’re raking in all the money. Howdy Ivory. Deal me in. I want a taste.”
Art wasn’t sure if the man could taste. Up close, he looked even older. He might have been 100. He had some sort of small crater on the left side of his forehead, like a skin cancer or something had been removed. Liver spots covered the rest of his forehead and all along the back of his hands. He wore a World War II Veteran trucker hat.
“I’m Art. Pleased to meet you.”
“Howdy son. We’ll be good friends so long as you don’t take the dealer’s bust card.”
“That won’t be a problem, sir. Can I ask, are you a World War II veteran?”
“Yessiree. Proud veteran of the United States Navy. I fought the Japs at Iwo Jima. Admiral Nimitz shook my hand personally after the battle.”
Art was stunned. That would put the man at 90 years old, or close enough it made no matter. Madame Chang rolled her eyes.
“You tell same story to every new blood who sit down? If I hear about Yanks saving China one more time, I going to shit brick. You sure your money not better on craps table tonight?”
“Hell, he asked, honey. I’m just being friendly.” Henry slammed the edge of the table as Ivory slowly flipped the fifth card to the dealer’s hand. A five.
“Twenty-two,” Ivory said. “Dealer busts.”
“Hell yeah,” Henry cheered. “I ain’t going anywhere, Madame Chang. I’m parking my little fanny right here tonight. This table’s hot. I knew it.”
Art didn’t mind the banter. Madame Chang, Ivory and old Henry were exactly the queer brand of off-kilter Vegas entertainment he and Amelia were hoping for. And he was now up $40 in two hands. He dialed back to two $5 bets to let the winnings settle for a minute. He ordered a Red Bull and vodka from a cocktail waitress. A little boost to gear up for a big night.
Ivory was a master of dramatics on every hand, throwing the players fakes by looking at their cards before he dealt them, making painfully twisted expressions to dash their hopes before dropping the exact card they wanted. He’d wave his free hand over his hole card and chant for it to be a bust card before flipping it. When dealer showed ace, he’d draw in a deep breath to make the table’s collective pulse race while checking for blackjack, only to slide the cards back into place with a sly grin on his face.
There were more ups than downs and the whole table was in good spirits. Plenty of dealer busts to keep everyone in the black. Madame Chang hit a string of blackjacks and was making a killing on the side bet besides. It was Lucky Ladies – any unsuited 20 paid 4-to-1 and suited 20s paid 9-to-1, but every sucker playing the bet was really chasing lightning in the form of two queens of hearts at a 125-to-1 payout.
An hour passed like a few moments. Unlike in the main pit, it seemed no other dealers were around to rotate with Ivory. He was a pleasant mainstay. As winning tables are want to do, the players got friendly. Art and Amelia, Madame Chang and Henry, in particular. The couple leading off the table mostly kept to themselves, whispering some Eastern European language no one recognized.
“You ain’t Italian, are you?” Henry asked them.
“Italian? No,” the man said. He looked Mediterranean, but sounded Russian. Maybe Croatian or Serbian, Art thought. The man wasn’t volunteering any clues. Henry turned his attention back to his left.
“I can’t stand them Italians,” he said. “Snake bastards. Fight with Hitler one day and the next act like it’s all red wine and spaghetti. Come visit Italy, they say. Have a great time. You’ll have to take me to hell in a hand basket before fascists get a dime of my money.”
“Well, it’s been almost 70 years,” Art said. “Things have changed a lot. They’re a very tolerant country now.”
“Snakes hiding in the grass, that’s all. Seventy years ain’t nothing. Mind that lesson, young man.”
Ivory listened to the conversation attentively as he dealt. One. Card. At. A. Time. Art and Henry gestured with their hands to hit or stay as the game carried on, one deal after another, prattling on uninterrupted.
“Ask me, ’Murica’s getting too much like Europe. Germans. Italians. The damn French. Can’t tell a difference between us and them anymore. That’s the problem with us today. We won the war, had it all going for us, then we started acting like the losers. You kids took everything we give you and messed it all up. No offense. Don’t mean you personally.”
Art didn’t mean to, but he closed his eyes and sighed. It was all he could do not to get started with a nonagenarian.
“Hey now, you don’t have to look defeated. Like you’re ashamed, or something. That’s another problem with you kids. You give up too easy. You can’t never commit to nothing because you expect everything to be handed you with a pat on your candy asses telling you how great you are. Sometimes, I think we gave you too much. Made life too easy for you.”
Art hesitated, then gave in. “Well, I don’t know about what you gave us.” Amelia gave him a curious sideways glance. “Look Henry, I’m grateful for what you and all the veterans have done for this country, but I don’t know if your generation accomplished anything other than listening to your parents. Same as most any generation.”
“How’s that? I don’t reckon I follow, son.”
“Well, I’m just saying I think the name Greatest Generation was given one generation too late. Your parents said fight here, fight there, do this, do that, build this, build that. So what’d you guys really accomplish? Everything great was done because your parents had the idea for it.”
Ivory stopped for a long moment and looked at Art, then remembered to keep dealing. Madame Chang emitted a surreptitious little giggle and lit another cigarette. She was never without one for more than a minute or two.
“Now I know I must have heard you wrong, son. Forgive my old ears. But you’re going to have to speak up.” Henry’s voice rose steadily, making it clear he heard Art just fine.
“I’m sorry. I don’t mean to offend, Henry. Let’s just play the game.” Art waved over his cards to stay. Amelia rubbed the small of his back and smiled at him in approval of his restraint.
“No. No. No.” Henry was insistent. “Say what you mean, son. I want to know what the hell your generation done to give you the right to speak like that.”
“Well, that’s just it. My generation’s barely adults now and we haven’t really done anything yet. Well, we’ve fought in a couple wars, but I’ll admit it’s different than the two yours fought in. We’re still just trying to figure out who we are. We’re just doing what our parents have told us to do. And the message they gave us is don’t be fooled into believing in a myth like they were. So I think we’re trying to live life the best way we can figure out how. That makes us just like you. Your parents told you to build a bunch of shit, so you did it. The difference is my generation hasn’t fucked up their kids with a bunch of bad advice and phony American Dream bullshit like yours.”
“That’s it, son. I’ve about had it with your smart lip. I ain’t going to be talked about like that by some young punk.”
Ivory glanced up at the Eye in the Sky and signaled with discreet sleight of hand. Henry kicked his stool back and stood up. The Eastern Europeans looked on with a succulent newfound interest in their neighbors. Amelia ducked down in her chair.
“You son of a bitch,” Henry said as he uncorked a right cross. The old coot filled up with spit and vinegar from some hidden reserve tank. There was a little fire in his half-dead grey eyes. Art was too stunned to move. He saw the fist coming in slow motion – fairly close to actual speed in this instance – but it still connected square with the orbital bone over his left eye.
“Ow,” Art shouted. “You old fucker.”
Henry was on his way over Amelia’s stool to jump on Art when two massive men in suits appeared from nowhere, grabbed him under each arm, and dragged him through a nearby door leading to the bowels of the casino before he had a chance to disturb any of the other tables.
“Poor Henry. That his last strike. Guess we won’t be seeing him anymore, huh, Ivory?”
“No, Madame Chang, it doesn’t seem so,” Ivory said.
Amelia fussed over Art’s eye with a wet napkin. “You’re going to have a shiner in the morning.”
“I can’t believe I got attacked by a World War II vet. Sensitive old bastard.”
“Oh, he not really World War II vet,” Madame Chang said. “He just look that old. Drink too much. Bad liver. He really a Vietnam War veteran, but he embarrassed about his war so he steal good war he can brag about.”
“How do you know that?”
“I sleep with him about 15 years ago. I see his Veteran I.D. card. He only like 65 years old.”
Art and Amelia’s mouths hung open.
“What?” Madame Chang looked offended. “Henry very charming then. He have all his teeth then, too.”
Ivory chuckled and started to deal a new hand.
“Well, I guess I feel a little better then. Henry packs a punch.” Art had taken the wet napkin from Amelia and was holding it to his forehead.
Ivory held his hand up and signaled a cocktail waitress. “Darlene,” he said. “This man’s going to need a whiskey. Top shelf, please. Let the boss know who it’s for. He’ll understand.”
Darlene returned a minute later with a tumbler filled with three fingers of beautiful deep amber whiskey. “What is it?” Art asked as he handed her a $1 chip.
“Johnnie Walker,” she said.
Art took a sip. It wasn’t like any Johnnie Walker he had tasted. Neither Red nor Black. Darlene was already gone. He whipped his head around to Ivory. The old man let out a deep, soulful laugh.
“Taste a little Blue?”
“Seriously?” Art said.
“You feeling better, sir?”
“Hell yeah. Let’s play.”
Ivory resumed dealing, his measured hands acting out a story with every game. Ivory was giving as good as he got, but somehow Madame Chang’s chips continued to stack higher. Even after trading in $5 chips for $25 ones and a few $25s for $100s.
“You know how much money you lost tonight?” she said, blowing smoke out the side of her mouth away from the table.
“We’re up about a hundred, actually,” Art said.
“No,” Madame Chang insisted. “You are losing money. You play side bet, you be up $300 right now. Side bet good to us tonight. You play Lucky Ladies.”
“I’m not a big fan of side bets. Those are sucker bets. No offense.”
Madame Chang gave Art an ornery look. It wasn’t much different than her standard resting face.
“You know, it’s none of my business, sir,” Ivory said. “But Madame Chang don’t dole out advice very often. She must like you. I’d consider listening to her.”
“You like me?”
Her jowls and pouty lips ratcheted down another degree, making her stare that much more ornery. “Madame Chang like anyone who get rid of Henry. Besides, you tell him right. Old Americans all full of their own bullshit. Now, you going to play side bet or not? Ivory slow enough already. Don’t waste my time.”
“I’ll play.” Art put down $5 chips on the Lucky Ladies circle at his base and the one in front of Amelia. Ivory promptly dealt a 19 and an 11. Ivory scooped up the $10. Art doubled down on the 11 and got stuck with a 16. Ivory then flipped an ace against the nine showing. The quickest $40 Art had lost all night.
“See, side bets just aren’t for me.”
“Play again.” Madame Chang’s scowl deepened.
Art played again. No dice. Another $10 gone. “I think that’s it for me,” he said.
“I don’t know, Madame Chang. I can’t keep bleeding chips.”
“I’ve never seen Madame Chang be wrong before about something like this,” Ivory said. “But it’s up to you, sir. I know what I’d do.”
“Alright then. Here we go, Lucky Ladies.”
Ivory dealt the first round of cards. He paused for a long moment over the card that was headed for Amelia’s base. “Hmm,” he said, and slapped down a queen of hearts.
“Lucky Lady. Lucky Lady,” Madame Chang said. She latched on to Art’s left arm with both hands. He felt her claw-like nails dig in. Ivory then threw down a jack of clubs in front of Art. “Ooh, Ivory treat you good now. See?”
Ivory felt the moment and dealt the next four cards with almost the speed of a normal dealer, until he came back to the spot in front of Amelia. He ran his fingers along the edge of the next card in the shoe and carefully extracted it. He didn’t lift it to look at it, but held it down against the table.
“Let’s look at it together,” he said. Even the Eastern Europeans were rapt. They leaned in over the table. Ivory closed his eyes and lifted the card up over his head, then slapped it down in front of Amelia.
“Lucky Ladies! Lucky Ladies,” Madame Chang shouted. The Eastern European couple threw their arms in the air and shouted in triumph before regaining their previous state of surly composure. Amelia jumped out of her seat and kissed Art on the crown of his balding head. Art himself grinned from ear to ear and gave high fives to Madame Chang and the Eastern Europeans.
For good measure, Ivory then threw down the 10 of clubs on top of the jack of clubs in front of Art. That’s $45 for the suited 20 and $625 for the Lucky Ladies. It won’t pay the mortgage, but it sure feels good.
“See. I tell you. Lucky Ladies were ready to pay.” She cracked a smile for the first time all night. It was a tortured thing.
“Madame Chang, I don’t understand how you’re even allowed in the casino. You’re amazing. You must rob them blind.”
“Oh, no. I down $20,000 this year. I not so lucky. But it’s my husband’s money. Who cares?”
I’ve been taking advice to gamble on a stupid side bet from a degenerate, Art thought. Luck, who says it’s not real?
Over Madame Chang’s protest – she insisted the Lucky Ladies were still paying – Art and Amelia bowed out, shook everyone’s hands at the table and tipped Ivory with a $25 chip.
“Enjoy your life,” Ivory said. He let out a quiet old man’s chuckle as he set his eyes back down at the table to dawdle his way through the next hand.
Editor’s note: So I have one ‘finished’ novel manuscript being pitched to agents (mostly crickets so far; don’t those agents know how much writers love their rejection letters?) and a second completed manuscript that is in the editing stage. I figured, why not go for the holy triumvirate of unpublished noveldom and start a new one? The editing process on a novel is pretty brutal — it’s generally known as the time authors start to despise their story, seeing everything that’s wrong and choking back little baby vomits at the thought of all the work that’s needed to fix it. To give myself a little break from that dreary slog, I dove head first (or maybe belly flopped) into a new project that brings me nothing but unadulterated joy as I tap into my inner 13-year-old to write. That’s right, I’m writing a zombie book. It’s my party and I’ll be cliche if I want to. I don’t know if I’ll use the following faux-news article or not, but it provides the set up for this budding zombie world.
Supreme Court OKs viral incarceration
Drake administration praises decision as ‘game changer’ in War against Hunger; defiant states threaten to protect inmates’ rights
by Kareem Raji, The New York Times
17:49 | Dec. 15, 2021
Article approved by the FOB
WASHINGTON – On the 230th anniversary of the ratification of the Bill of Rights, the Supreme Court on Wednesday narrowly ruled in favor of the Justice Department’s Project Freeing Resources so Everyone Eats with a 4-3 vote along partisan lines.
Each of the four justices appointed by President Drake after February’s fatal Supreme Court chamber terrorist bombing – Eaton, King, Pendleton and Rivera – sided with DOJ arguments that viral incarceration does not violate the Eighth Amendment’s prohibition of cruel and unusual punishment. Civil liberties lawyers failed to convince the majority that the infection causes conscious suffering.
In their dissenting opinion, the three justices who survived the bombing and remain capable of sitting the bench wrote: “Of course, there is no conscious suffering; the infection eliminates the conscious. Victims of Virus 26 suffer because the lives they once led are taken from them. They are robbed of any opportunity for penitence, morality, and indeed basic humanity. They exhibit dangerous predatory behavior without any instinct for self-preservation. By no other name, infection is the definition of cruel and unusual.”
Justices Robertson and Sotomayor remain on life support under heavy guard. No timetable has been set for their return to the bench or on a decision to replace them.
“We are highly distraught at this blow to the human rights and civil liberties of America’s prisoners,” Terrence Updike, lead counsel for more than two dozen activist groups challenging Project FREE, said. “We pray for the prisoners who will be soon be infected with Virus 26 and that their souls may one day find peace. We have all failed them. The government doesn’t want us using this word, but the public needs to know what infected prisoners become. We’ve seen these things after infection and it rhymes with [CENSORED].”
Barely six months after Mr. Drake’s executive order establishing Project FREE, the court’s decision marked the final hurdle his administration needed to clear before initiating the infection program. The Supreme Court declined to hear a State of Vermont case alleging viral incarceration using Virus 26 violated the 29th Amendment prohibiting capital punishment last month, citing official Department of Scientific Research findings that infected human test subjects were, in fact, alive despite a dormant heart beat and reduced brain function.
U.S. Attorney General Jack Coehlo said the DOJ would immediately begin implementing viral incarceration for all inmates serving life sentences in each of the 37 federal penitentiaries and 22 federal correctional complexes, despite threats from several jurisdictions including California and Texas to defend prisoners located within their borders “by any means necessary.”
California Gov. Robert Greenberg and Texas Gov. William “Buck” Doolittle issued their most aggressive statement to date after the court handed down its ruling. “This administration has once again overreached by illegally expanding federal authority, and now plans on trampling states’ rights by using armed federal forces to subjugate our citizens’ lawful decision to ban this immoral form of cruel and unusual punishment. We will not stand for the federal government’s Draconian tactics and are evaluating all options, including secession from the union and mustering state militias to defend the rights of our citizens.”
The statement was co-signed by eight officially unrecognized provisional governors of former states located in consolidated federal territories.
“Out-of-touch politicians can beat their chests about defending the rights of hardened criminals all they want, but as the Supreme Court has demonstrated today, the law is on our side,” Coehlo said during a press conference following the ruling. “Not only the law, but justice. Project FREE is about justice. Millions of innocent citizens are going hungry in this country every day, and California and Texas want us to take food out of their mouths to feed guilty criminals when we have available a perfectly humane solution to eliminate dietary needs for inmates. If you ask me, that’s the real crime.”
The attorneys general of Wyoming, Kansas, Louisiana, Virginia and Ohio were the first to query the DOJ for permission to transfer inmates serving life sentences in their state prisons to Prison Camp 26, where the Bureau of Prisons will detain infected inmates after administering the virus in an adjacent maximum security medical facility.
As of March, federal and state prisons held more than one million life-sentence prisoners (LSPs) for the first time in U.S. history. The DOJ estimates viral incarceration of all LSPs would free up about 1.5 billion pounds of food annually that would instead be distributed to the public through the federal Food Aid program. Each LSP also costs the government an average of $57,000 per year, according to the DOJ, but will cost less than $3,000 under viral incarceration.
WEB EXTRA: Three-year anniversary of Drake admin
order abolishing early parole. Are we any safer?
Coehlo said the billions in savings will be used to import additional food, but did not specify where those supplies would be procured. Mexican and South American food production continues to plummet as increasingly arid soils wreak havoc on staple grain production. Canadian crop yields reached record highs last year, leading its agriculture minister to declare the “Golden Era of Canadian farming,” but Prime Minister David Hawkins quickly threatened to tighten sanctions on food imports to the U.S. after the high court’s decision on Virus 26. European and Southeast Asian food imports have slowed to a trickle for the third consecutive year on the heels of lucrative trade agreements with China and Europe’s ongoing defense crisis facing a growing number of food raids led by increasingly organized and well-armed African militia forces.
A Defense Department official who wished to remain anonymous said Canadian military forces continue to organize around key agricultural zones in Alberta and Ontario, but denied rumors that the U.S. war machine is gearing up after President Drake’s saber-rattling threat issued on Thanksgiving promising to annex Canada’s most productive agricultural lands if Hawkins does not lift the food sanctions by New Year’s Day.
“The Supreme Court scored an important victory in the War against Hunger today,” the White House said in a statement to media. “This new weapon against hunger is a game changer as we work diligently toward our goal of providing all Americans with adequate nutrition by 2025. We will do whatever it takes to protect and feed our citizens through these challenging times, and look forward to swiftly easing the burden hardened criminals have placed on innocent Americans.”
White House and DOJ officials again declined to disclose the top secret location of Prison Camp 26, citing national security concerns, but offered assurances that the facility and infected inmates would be separated from the public and general prison population “by a safe distance.”
Editor’s note: For those of you who know I recently returned from a trip to Rome, I can neither confirm nor deny that any version of these events actually happened. I can confirm that this story is, in the end, fiction. I wrote this piece specifically with McSweeney’s Internet Tendency in mind, and although it was rejected, the editor did take the time to kindly wish my day be passed in the comfort of shorts.
Original sin is located somewhere in the kneecap. This seems to be the official position of the Vatican. At least, that’s the only logical conclusion I can reach after the Pope made me wear pants. The Pope made me wear pants, which means he’s the one to blame for that pool of purple puke in the hall of the Hotel Primus Roma. Send the cleaning bill to 1 Vatican City c/o Papa Francesco.
Pope Francis may be a reformer, but he’s not taking a sledgehammer to the foundational belief of the Church: discomfort = spiritual okey dokeyness. Why else would I have to wear pants just to enter St. Peter’s Basilica when it’s 90 outside and not even a wisp of a Frenchman’s cigarette smoke in the sapphire sky? Millions of exposed kneecaps in San Pietro’s crib might be akin to Satan and his minions assaulting Heaven’s Gate, but I’ve never been closer to the devil’s door than standing crotch-soaked in ball sweat for two hours under the Roman sun waiting to get in to the home of the Holy See.
I admit, the Pope didn’t force me to wear skinny jeans that were up my ass like Kim Kardashian bikini bottoms, limiting any movement to itty bitty steps like a Japanese maiko in platformed okobo, but I have to think it was the Catholic spirit that drove me to choose corporal mortification by diaper rash.
I can sense your lack of sympathy, but consider the consequences of the Vatican’s medieval modesty. If Il Papa hadn’t made me wear pants, I wouldn’t have broken my wrist because I would have had the crotchal flexibility to clear that fence barricading us from the cool stuff in the Roman Forum. I wouldn’t have been forced to eat at the shady late night spot with the tainted prosciutto because all the reputable places were closed after I got out of the hospital or had two liters of red table wine because it was only €14 instead of the €30 it would have cost at a typical tourist trap. It wouldn’t have mattered that the bathroom window in my room at the discount hotel was stuck open or that the window had no screen or that pterodactyl-sized mosquitos were streaming in through the opening or that I closed the bathroom door to keep them from infecting me with Italian herpes or that the doorknob was broken and wouldn’t turn to open the door to the bathroom or that, when I panicked because I couldn’t get to the toilet when the food poisoning struck in the middle of the night, I ran naked into the hallway to eject the aforementioned two liters of wine plus about a cubic meter of spaghetti noodles across the white tile floor like a curling stone gliding over ice.
The night desk guy told me in broken English that he watched the whole thing on video and thought I was throwing up blood because I was possessed by a demon. He was wearing a rosary from the St. Peter’s gift shop. I wasn’t listening to him, not that closely, really, because I was still wearing the briefs into which I had heftily sharted in observation of Newton’s Third Law mandating an equal and opposite reaction to my projectile vomitus. My briefs smelled of the devil’s handiwork, not spiritual cleansing.
The Pope made me wear pants. And there were consequences.
Editor’s note: On the heels of finishing my manuscript for Happy Jack, I probably should have started submitting it to agents to get the long and arduous (and possibly painfully futile) process of getting it published rolling. But then I got the itch to write another novel. Right on top of one I just finished. My first experience finishing a novel, I didn’t want to think about writing for months, so I figured I might ought to use my surprise writing juices while they were still flowing. The result is a 120,000-word first draft of a novel tentatively titled The Dream Trip. Here’s how it happened: I saw The Secret Life of Walter Mitty right after finishing Happy Jack and thought, hey, I want to write a feel-good travel adventure story. Carrie and I also took a road trip across the ole U.S. of A. last summer so the feeling of it was still fresh and ripe for some appropriation into my writing. Needing more than just “people on a road trip,” I quickly drifted into making the story of Art and Amelia thematically about America’s cultural comeback, then somehow ended up with a magnum opus for the Millennial generation (I do love me some Millennials). We’ll see how it turns out. I’ve got a lot of revision to do. But here is the opening chapter of The Dream Trip.
Chapter 1 – A Month Ago
“How long has this been going on?”
Art’s coworkers had decided to send for help. Naturally, they went to the head of Human Resources. Vicki Thorpe is not a psychologist or a life counselor. She’s not even first aid certified. But in the face of a potential medical emergency, Art’s boss went to Vicki because A) it was the lowest risk course of action and B) major corporations are where very smart people go to become very stupid.
“No one knows,” Tom said. “Nobody remembers him saying a word this morning, but that’s normal. After a while, we just thought he was giving us the silent treatment.”
“So he hasn’t said a word all day?”
“Nope. None of us remember seeing him move, either. Alice balled up a piece of paper and hit him in the eye earlier. He didn’t even flinch.”
“You shouldn’t waste paper,” Vicki said. “It’s a cost center.”
It was 3 p.m. At 8:56 a.m., Art marched in to work without a word, sat down, turned on his computer and commenced to stare at the screen with his hands folded in his lap. Motionless silence since. As he was leaving the house that morning, Amelia announced to him that after nine-plus years of marriage, she was leaving him. He hesitated a moment, then responded “Love you, bye” like he did every morning. He picked his briefcase up from next to the umbrella stand, walked out the door, put the key in the ignition, and drove the concrete expanse of U.S. Route 1 to the corporate headquarters of Lynx Pharmaceutical in Princeton Junction, New Jersey. Art was not aware that Amelia’s five words (“I’m leaving you. I’m sorry.”) triggered a panic attack that had been ongoing from the moment his mind processed them.
“Art. You there buddy?” Vicki snapped her fingers in front of his face. He didn’t even blink. He stared at the little screen saver picture of Amelia hugging him on the Seaside Heights boardwalk the summer before Sandy destroyed it. It bounced around the edges of his computer like the ball in a game of Pong. The rest of the world was black, a void. His remaining senses were tuned in to his heart. It was beating so fast, but it had also started skipping beats. It had been working at over 100 beats per minute for nearly seven hours, well above Art’s normal resting heart rate. To borrow a phrase: he was freaking out, man. Slight trembling and droplets of sweat on his brow were the only signs on the outside. Inside was much worse. His chest felt tight. He felt like his throat had almost closed up. Then, the picture of him and Amelia became fuzzy as he felt something for the first time all day.
“Art, snap out of it. Come on. You’re scaring everyone.” Vicki shook his shoulder, gently for a moment before really rattling his cage with the full force of her doughy, overweight, white collar body. Her skin smelled like 1988.
“Maybe we should call a doctor, Vicki.”
“This might be serious.”
“He looks pale. He might be having a stroke or something.”
“See, Art, you’re scaring everyone,” Vicki said. “You’re not being a good teammate.”
Art turned his head and stared directly into Vicki’s dull grey eyes.
“There you go. Now what’s this all about, Art?”
“I can’t breathe,” Art said. “I can’t breathe.”
He kicked out of his chair, knocking Vicki and another coworker crowding his chair aside. He ripped off his Q*bert 3D pyramid tie then tore open his Pierre Cardin business shirt from T.J.Maxx, launching cheap plastic buttons that plinked across his neighbors’ desks. He wasn’t wearing an undershirt and his hairy gut wobbled over his belt. Quite a crowd had gathered at this point. The more courteous now had the decency to avert their eyes. But for every one of those, four new gawkers would happen to stroll by to watch the train wreck unfold. They stared at him like an animal in the zoo.
Art started making a noise. A horrible noise. Not a scream or a cry or a whimper. Something long and low and pathetic. Pathetic in action as a verb. He patheticed a terrible, mournful noise.
Art swirled around, not looking at anyone, but looking for something. He saw the plastic five-foot-tall palmetto that had been stationed behind his cubicle since the day he started at Lynx Pharmaceutical almost eight years ago. He grabbed it, pulled it to his soft, pale chest. He clung to it as he started to climb onto his desk, but the pot was too heavy. Art alternated trying to get himself and the tree on top of the desk, but failed either way. On each attempt, his belly fat formed a long line across his stomach in the shape of a smile. His two nipples were like large pink eyes. The smiley face beamed at the onlookers, letting them know everything was OK. Tom was so embarrassed for Art, he stepped forward to help him lift the plastic palmetto onto the desk.
“Tom, please. Don’t. That’s not helping,” Vicki said.
Art still couldn’t hear anything. He sat down on the large pot on top of the desk, wrapped his legs around the synthetic trunk and wet himself. Pissed long and hard as he patheticed that terrible, mournful noise again.